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Golden Bough. A Study in Magic and Religion. Part 3. The Dying God, The by  James Frazer (1854 - 1941)
Golden Bough. A Study in Magic and Religion. Part 3. The Dying God, The by  James Frazer (1854 - 1941)
James Frazer

Golden Bough. A Study in Magic and Religion. Part 3. The Dying God, The by James Frazer (1854 - 1941)

The fourth volume in Frazer's seminal 12 volume set on anthropology and traditional systems of belief. With this third part of The Golden Bough we take up the question, why had the King of the Wood at Nemi regularly to perish by the hand of his successor? Topics investigated include the practice and intention of human sacrifice, the mortality of gods, the regular killing of divine kings and spirits, and the superstitions surrounding the succession of the soul. - Summary by Leon Harvey

Episodes

VIII. PART 2. PART 5. Sawing the Old Woman,Sawing the Old Woman at Mid-Lent in Italy, In France, In Spain and among the Slavs, Sawing the Old Woman on Palm Sunday among the gipsies, Seven-legged effigies of Lent in Spain and Italy, PART 6. Bringing in Summer, Custom of Carrying out Death followed by a ceremony of bringing in Summer, represented by a tree or branches, New potency of life ascribed to the effigy of Death, The Summer-tree equivalent to the May-tree, The Summer-tree a revival of the image of Death, hence the image of Death must be an embodiment of the spirit of vegetation, The names of Carnival, Death, and Summer in these customs seem to cover an ancient spirit of vegetation, PART 7. Battle of Summer and Winter, Dramatic contests between representatives of Summer and Winter in Sweden, Germany, and Austria, The Queen of Winter and the Queen of May in the Isle of Man, Contests between representatives of Summer and Winter among the Esquimaux, Winter driven away by the Canadian Indians, The burning of Winter at Zurich, PART 8. Death and Resurrection of Kostrubonko, Russian ceremonies like those of Burying the Carnival or Carrying out Death, Death and resurrection of Kostrubonko at Eastertide, Figure of Kupalo thrown into a stream on Midsummer day, Funeral of Kostroma, Lada, or Yarilo on St. Peter's day (29th June), PART 9. Death and Revival of Vegetation, The Russian Kostrubonko, Yarilo, and so on probably in origin spirits of the dying and reviving vegetation, Grief and gladness, love and hatred curiously blended in these ceremonies, Expulsion of Death sometimes enacted without an effigy, PART 10. Analogous Rites in India, Images of Siva and Parvati married, drowned, and mourned for in India, Equivalence of the custom to the spring ceremonies of Europe, PART II. The Magic Spring, The foregoing customs were originally rites intended to ensure the revival of nature in spring by means of imitative magic, In modern Europe these old magical rites have degenerated into mere pageants and pastimes, Parallel to the spring customs of Europe in the magical rites of the aborigines of Central Australia.
16 September 2026

VIII. PART 2. PART 5. Sawing the Old Woman,Sawing the Old Woman at Mid-Lent in Italy, In France, In Spain and among the Slavs, Sawing the Old Woman on Palm Sunday among the gipsies, Seven-legged effigies of Lent in Spain and Italy, PART 6. Bringing in Summer, Custom of Carrying out Death followed by a ceremony of bringing in Summer, represented by a tree or branches, New potency of life ascribed to the effigy of Death, The Summer-tree equivalent to the May-tree, The Summer-tree a revival of the image of Death, hence the image of Death must be an embodiment of the spirit of vegetation, The names of Carnival, Death, and Summer in these customs seem to cover an ancient spirit of vegetation, PART 7. Battle of Summer and Winter, Dramatic contests between representatives of Summer and Winter in Sweden, Germany, and Austria, The Queen of Winter and the Queen of May in the Isle of Man, Contests between representatives of Summer and Winter among the Esquimaux, Winter driven away by the Canadian Indians, The burning of Winter at Zurich, PART 8. Death and Resurrection of Kostrubonko, Russian ceremonies like those of Burying the Carnival or Carrying out Death, Death and resurrection of Kostrubonko at Eastertide, Figure of Kupalo thrown into a stream on Midsummer day, Funeral of Kostroma, Lada, or Yarilo on St. Peter's day (29th June), PART 9. Death and Revival of Vegetation, The Russian Kostrubonko, Yarilo, and so on probably in origin spirits of the dying and reviving vegetation, Grief and gladness, love and hatred curiously blended in these ceremonies, Expulsion of Death sometimes enacted without an effigy, PART 10. Analogous Rites in India, Images of Siva and Parvati married, drowned, and mourned for in India, Equivalence of the custom to the spring ceremonies of Europe, PART II. The Magic Spring, The foregoing customs were originally rites intended to ensure the revival of nature in spring by means of imitative magic, In modern Europe these old magical rites have degenerated into mere pageants and pastimes, Parallel to the spring customs of Europe in the magical rites of the aborigines of Central Australia.

VIII. PART 1. THE KILLING OF THE TREE SPIRIT. PART 1. The Whitsuntide Mummers. The single combat of the King of the Wood at Nemi probably a mitigation of an older custom of putting him to death at the end of a fixed period, The theory confirmed by traces of a custom of periodically putting the representative of the treespirit to death in Northern Europe, Bavarian and Swabian customs of beheading the representatives of the tree-spirit at Whitsuntide, Killing the Wild Man in Saxony and Bohemia, Beheading the King on Whitmonday in Bohemia, The leaf-clad mummers in these customs represent the tree-spirit, The tree-spirit killed in order to prevent its decay and to ensure its revival in a vigorous successor, Resemblances between the North European customs and the rites of Nemi. PART 2. Mock Human Sacrifices. The mock killing of the leaf-clad mummers probably a substitute for an old custom of killing them in earnest, Substitution of mock human sacrifices for real ones in Minahassa, Arizona, Nias, and elsewhere, Mock human sacrifices carried out in efiigy in ancient Egypt, India, Siam, Japan, and elsewhere, Mimic sacrifices of fingers, Mimic rite of circumcision. PART 3. Burying the Carnival, The killing and resurrection of a god not peculiar to tree-worship but common to the hunting, pastoral, and agricultural stages of society, European customs of burying the Carnival and carrying out Death, Effigies of the Carnival burnt in Italy, Funeral of the Carnival in Catalonia, Funeral of the Carnival or of Shrove Tuesday in France, Burying the Carnival in Germany and Austria, Burning the Carnival in Greece, Resurrection enacted in these ceremonies.PART 4. Carrying out Death, Carrying out Death in Bavaria, in Thuringen, In Silesia, In Bohemia, In Moravia, The effigy of Death feared and abhorred.
16 September 2026

VIII. PART 1. THE KILLING OF THE TREE SPIRIT. PART 1. The Whitsuntide Mummers. The single combat of the King of the Wood at Nemi probably a mitigation of an older custom of putting him to death at the end of a fixed period, The theory confirmed by traces of a custom of periodically putting the representative of the treespirit to death in Northern Europe, Bavarian and Swabian customs of beheading the representatives of the tree-spirit at Whitsuntide, Killing the Wild Man in Saxony and Bohemia, Beheading the King on Whitmonday in Bohemia, The leaf-clad mummers in these customs represent the tree-spirit, The tree-spirit killed in order to prevent its decay and to ensure its revival in a vigorous successor, Resemblances between the North European customs and the rites of Nemi. PART 2. Mock Human Sacrifices. The mock killing of the leaf-clad mummers probably a substitute for an old custom of killing them in earnest, Substitution of mock human sacrifices for real ones in Minahassa, Arizona, Nias, and elsewhere, Mock human sacrifices carried out in efiigy in ancient Egypt, India, Siam, Japan, and elsewhere, Mimic sacrifices of fingers, Mimic rite of circumcision. PART 3. Burying the Carnival, The killing and resurrection of a god not peculiar to tree-worship but common to the hunting, pastoral, and agricultural stages of society, European customs of burying the Carnival and carrying out Death, Effigies of the Carnival burnt in Italy, Funeral of the Carnival in Catalonia, Funeral of the Carnival or of Shrove Tuesday in France, Burying the Carnival in Germany and Austria, Burning the Carnival in Greece, Resurrection enacted in these ceremonies.PART 4. Carrying out Death, Carrying out Death in Bavaria, in Thuringen, In Silesia, In Bohemia, In Moravia, The effigy of Death feared and abhorred.

II PART 4. Octennial Tenure of the Kingship, Spartan kings liable to be deposed on the appearance of a meteor at the end of eight years, Superstitions as to meteors and stars, Octennial period of king's reign connected with the octennial cycle of the early Greek calendars, which in turn is an attempt to reconcile solar and lunar time, The octennial cycle in relation to the Greek doctrine of rebirth, Octennial tenure of the kingdom at Cnossus in Crete, Sacred marriage of the King and Queen of Cnossus (Minos and Pasiphae) as representatives of the Sun and Moon, Octennial tribute of youths and maidens to the Sun, represented by the Minotaur, at Cnossus, Octennial festivals of the Crowning at Delphi and of the Laurel-bearing at Thebes, both being dramatic representations of the slaying of a waterdragon, Theory that the dragons of Delphi and Thebes were kings who personated dragons or serpents, Greek belief in the transformation of gods and men into animals, Transformation of Cadmus and Harmonia into serpents, Transmigration of the souls of the dead into serpents and other wild animals, African kings claim kinship with powerful animals, The serpent the royal animal at Athens and Salamis,The wedding of Cadmus and Harmonia at Thebes perhaps a dramatic marriage of the Sun and Moon at the end of an eight years' cycle, This theory confirmed by the astronomical symbols carried by the Laurel-bearer at the octennial festival of Laurel-bearing, The Olympic festival based on the octennial cycle, The Olympic victors, male and female, perhaps personated the Sun and Moon and reigned as divine King and Queen for eight years.
16 September 2026

II PART 4. Octennial Tenure of the Kingship, Spartan kings liable to be deposed on the appearance of a meteor at the end of eight years, Superstitions as to meteors and stars, Octennial period of king's reign connected with the octennial cycle of the early Greek calendars, which in turn is an attempt to reconcile solar and lunar time, The octennial cycle in relation to the Greek doctrine of rebirth, Octennial tenure of the kingdom at Cnossus in Crete, Sacred marriage of the King and Queen of Cnossus (Minos and Pasiphae) as representatives of the Sun and Moon, Octennial tribute of youths and maidens to the Sun, represented by the Minotaur, at Cnossus, Octennial festivals of the Crowning at Delphi and of the Laurel-bearing at Thebes, both being dramatic representations of the slaying of a waterdragon, Theory that the dragons of Delphi and Thebes were kings who personated dragons or serpents, Greek belief in the transformation of gods and men into animals, Transformation of Cadmus and Harmonia into serpents, Transmigration of the souls of the dead into serpents and other wild animals, African kings claim kinship with powerful animals, The serpent the royal animal at Athens and Salamis,The wedding of Cadmus and Harmonia at Thebes perhaps a dramatic marriage of the Sun and Moon at the end of an eight years' cycle, This theory confirmed by the astronomical symbols carried by the Laurel-bearer at the octennial festival of Laurel-bearing, The Olympic festival based on the octennial cycle, The Olympic victors, male and female, perhaps personated the Sun and Moon and reigned as divine King and Queen for eight years.