TIP 'Movie Night' | Max Spiers - Bases 37 Interview Part 2 with Miles Johnson (2014)

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Filmed in Broadstairs, Kent — Charles Dickens’ old stomping ground — this episode continues the raw 2014 conversation between Miles Johnston and Max Spiers at the home linked to Max’s family. Picking up from earlier discussion of Max’s difficult life and triggers, the talk goes deeper into origins and the bigger picture he describes. Max recounts being born to a “high vibrational” mother and “low vibrational” father and arriving perfectly balanced — then immediately imbalanced. He describes a brief, intense birth phenomenon (half red, half yellow down the center line, photographed and reported as a “Harley Quinn child”) that vanished after three minutes. He frames his life’s work as finding the center point between those polarities.

He identifies as a fallen male fire dragon from Draco, one of four elemental dragon types corresponding to air, earth, water and fire. The conversation weaves DNA spirals, reptilian/R-complex strands, the need to climb out of the 3D loop, longer cycles beyond the usual precession talk, and why polarity, war and extreme sensation keep this dense reality intact. Peace and true balance, he says, would collapse the 3D construct that certain beings want to preserve for the pleasures of the flesh — and for power extracted from suffering.

The discussion also covers the fleur-de-lis, Sirius A/B/C, Merovingian and Dagobert connections, and English royal charts as galactic origin markers (Sirius, Orion, Aldebaran) displayed in plain sight; the Grail as consciousness, DNA and state of mind rather than a physical cup; the end of a fourth cycle with “only two left fighting” and echoes of the Hunger Games, Mortal Kombat and MK; the void, Goetian entities, Crowley, Boleskine, an unclosed gate at Loch Ness, energy vampires, fear and deals; an older council, end times, the ouroboros/Möbius loop, double binds and why confusion keeps souls looping; the 39 Steps in Broadstairs, reversals and black sun symbolism; and personal lineage ties including the Black Prince, a Percy ancestor at Shrewsbury, Stewart and Diana bloodline connections, plus Canterbury as a soul-level birthplace.

This is unscripted, wide-ranging and characteristic of the Bases series: bloodlines, interdimensional conflict, 3D as a maintained polarity game, and Max’s claim of both participating in and trying to step off that game.

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