Filmspotting

15 years after its release, Adam and Josh return to the 1950s Waco of Terrence Malick’s The Tree of Life. They discuss Malick’s bold attempt to voice the divine, mapping the books of Job and Genesis onto his narrative, and his attempt to reconcile the beauty of creation with the reality of suffering. Plus, details about Filmspotting Fest II: 68 Weeks Later, and a new poll that attempts to gauge...

Adam and Josh review Sophy Romvari’s debut feature Blue Heron, a semi-autobiographical "memory piece" that follows a Hungarian immigrant family on Vancouver Island in the late 1990s. They discuss Romvari’s distinct "observational elegance," the film’s striking meta-elements, and how it stacks up against other recent memory-focused masterworks like Aftersun. Plus, a look at why this is already a...

From the outlaw poetry of Badlands to the cosmic spirituality of The Tree of Life, this week's Archive episode has Adam and Josh counting down the five most indelible moments from one of cinema's most elusive auteurs. Expect plenty of hushed voiceovers and magic-hour cinematography. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting...

This week, Matt and Jordan flip for the conch to discuss the BBC’s new four-part adaptation of The Lord of the Flies, now streaming on Netflix. The duo dives deep into Jack Thorne’s "cinematic" take on the classic novel, debating the effectiveness of its character-focused structure and its haunting visual palette. For Rec Seg!, they've got Flies-inspired recommendations that range from the...

Adam and Josh continue Filmspotting’s Dissident Cinema Marathon with its second entry, Roberto Rossellini’s Rome, Open City. Made in the immediate aftermath of Nazi occupation and against the backdrop of a country still in crisis, the film merges neorealist observation with the tension and structure of a spy thriller. The conversation explores how the movie captures resistance not as myth but as...

Meryl Streep is back as Miranda Priestly in The Devil Wears Prada 2, and what better way to pay tribute to the best to ever do it than with a Top 5 devoted exclusively to her? Adam and Josh attempt to narrow down five decades of legendary work into a handful of essential scenes, ranging from Streep’s emotional precision in Sophie's Choice and Kramer vs. Kramer to her charming looseness in...

Adam and Josh discuss how The Devil Wears Prada 2 softens Miranda Priestly’s edges and why, despite mealy‑mouthed social commentary, the legacy sequel mostly works as comfort viewing. Along the way, they make the case that Meryl Streep is still the movie’s true luxury item. Plus: is it time for a Fitspotting spinoff? Links -Andy’s Best Dress -Chanel's Haute Couture Spring 2020 CollectionSee...

As the 2019 edition of Madness – Best of the 2000s wrapped up, Adam and Josh took a break from the heavy hitters to highlight the gems that didn't make the 64-film bracket, including underseen comedies from Jack Black and Seann William Scott, an ambitious "docu-fantasia" from Guy Maddin, and even some deeper cuts from A-list directors like Ridley Scott and Robert Zemeckis. Unlock the full...

Matt and Jordan see if Netflix’s massive rom-com hit People We Meet on Vacation (starring "generational talent" Emily Bader) lives up to its 50-million-stream hype. Does the film successfully invert the When Harry Met Sally formula, or is it just a beautiful travelogue hampered by a "charisma vacuum"? Later, Jordan recommends an under-seen 2023 indie mafia drama, and Matt invites us to fall in...

First up in Filmspotting’s Dissident Cinema Marathon, Adam and Josh discuss Charlie Chaplin’s 1940 satire The Great Dictator. They explore how comedy becomes a weapon against fascism, the film’s surprising prescience and moral clarity, and the risks Chaplin took by calling out authoritarian power before much of the world was willing to do so. Links: -Filmspotting Marathons...