Art of the Cut

Today on Art of the Cut, we speak with Terel Gibson, ACE about editing Boots Riley’s feature film, “I Love Boosters”. Terel has been on Art of the Cut before for his work on the TV series “Skeleton Crew.” His other work includes Sorry to Bother You, Ready or Not, Hawkeye, and The Astronaut. If you're interested in reading along with today's podcast, check out the BorisFX blog...

Today on Art of the Cut, we speak with editor Sarah Broshar, ACE, on editing Steven Spielberg’s Disclosure Day.Sarah has been on Art of the Cut several times, last for her editing of The Fablemans. She was nominated for an ACE Eddie for Spielberg’s The Post. Her credits also include Ready Player One, Pet Sematary, and West Side Story.This discussion will be about the rule when temping score that...

Today on Art of the Cut, we speak with editor Doc Crotzer, ACE, about the HBO film, Miss you, Love You.Doc is an ACE Eddie winner for Roadhouse, and an ACE Eddie nominee for his work on the TV series, Glee. A frequent collaborator of Doug Liman, Doc’s other work includes the John Wick spinoff Ballerina, Sons of Anarchy, and producing, directing and editing the TV series Good Behavior.A discussion...

Today on Art of the Cut we speak with Rachel Goodlett Katz, ACE, and Dylan Firshein - the editors of Star Wars: The Mandalorian and Grogu.Dylan’s been on the show before when we discussed the TV series, The Mandalorian, for which he’s been nominated for two Emmys. He also edited on The Book of Boba Fett. Dylan was also a first assistant editor on Solo: A Star Wars Story, and The Big...

Today on Art of the Cut we speak with two of the editors of Apple TV’s Shrinking – James Refroe, who is also an associate producer on the show, and Sarah Lucky.Sarah has also edited Scrubs, I Love That for You, Senior Year, and Grace and Frankie.James has also edited Abbott Elementary, Bad Monkey, Superstore, Uncle Buck, and The Muppets.Our discussion today details the keys to editing comedy, how...

Today on Art of the Cut, the three editors of Vince Gilligan’s Pluribus, Skip Macdonald, ACE, Chris McCaleb, ACE, and Joey Liew, discuss editing the series.Skip’s been on Art of the Cut before for El Camino. He’s an Emmy winner and ACE Eddie winner for Breaking Bad, and a multiple Emmy nominee for Breaking Bad, Fargo, and Better Call Saul. And has ACE Eddie nominations for Pluribus, Breaking Bad,...

Today on Art of the Cut, we speak with Tamara Meem, editor of Remarkably Bright Creatures, now on Netflix.In addition to Tamara’s work on Remarkably Bright Creatures, she also edited Wander Darkly, First Match, The Sound of My Voice, and the TV series, The Decameron, and The Last Thing He Told Me. Tamara lives in Los Angeles, but is from Australia.Our discussion today is about how story is...

Today on Art of the Cut we speak with Andrew Marcus, the editor of The Devil Wears Prada 2.Andrew has edited Howard’s End, for which he was nominated for a BAFTA, Much Ado About Nothing, the 1994 Frankenstein movie, Hedwig and the Angry Inch, Remains of the Day, American Psycho, and Under the Tuscan Sun, among many others.Our discussion today is about the freedom he has in the editor’s cut, the...

Today on Art of the Cut, we have the lead editor and the VFX editor of the documentary series, The Dinosaurs, from Netflix and Amblin’ Entertainment.Ben Lavington Martin, BFE was the lead editor on the series and cut the first episode. His other work includes The World According to Jeff Goldblum, David Attenborough's Natural History Museum Alive, One Strange Rock, and Nova, among many others.Matt...

Today on Art of the Cut we discuss the documentary, The AI Doc: Or How I Became an Apocaloptimist with the editors of the film, Daysha Broadway, ACE, and Davis Coombe. The film was produced and directed by some of the same team that created the film Everything, Everywhere, All at Once.Daysha’s been on Art of the Cut before for The Black Lady Sketch Show, for which she won an Emmy and was...