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Scandal’us – Me, Myself & I (2001)
⭐️⭐️⭐️⭐️⭐️ (Pitchfork, 10.0)
In an era bloated with faux-indie self-seriousness and turn-of-the-millennium testosterone-pop, Me, Myself & I arrived like a rhinestoned meteor, obliterating subtlety and redefining post-reality-TV sonic maximalism. What begins as a breakup anthem quickly transcends genre, gender, and good taste, ascending into something close to pop transcendence. The chorus, a rallying cry of self-sufficiency, lands with the force of a glitter bomb in a therapist’s office—half defiance, half denial, all iconic. It’s not just a song; it’s a syllabus in empowerment, delivered with the emotional range of a confetti cannon and the production sheen of a freshly laminated soul. In a just world, this would play every time someone leaves a toxic relationship and when they finally delete Facebook. Scandal’us weren’t just Popstars winners—they were oracles. And Me, Myself & I is their shimmering, immaculate prophecy.
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