English· 12:57:44· 39 chapters
The Anatomy of Melancholy is a book by Robert Burton, first published in 1621. On its surface, the book is a medical textbook in which Burton applies his large and varied learning in the scholastic manner to the subject of melancholia (which includes what is now termed clinical depression).
Though presented as a medical text, The Anatomy of Melancholy is as much a sui generis work of literature as it is a scientific or philosophical text, and Burton addresses far more than his stated subject. In fact, the Anatomy uses melancholy as the lens through which all human emotion and thought may be scrutinized, and virtually the entire contents of a 17th-century library are marshalled into service of this goal.
Burton is forthright about his intentions in writing the Anatomy — "I write of melancholy by being busy to avoid melancholy," he concedes. This acknowledged desire to distract and amuse himself motivated Burton to produce a wide-ranging document, containing digressions and commentary. Whatever its strengths as a medical text or as a historical document, it is the Anatomy's vast breadth — addressing topics such as digestion, goblins, the geography of America, and others — and the particularly characteristic voice of its author that are most commonly cited by its admirers as the main sources of its appeal. Both satirical and serious in tone, the Anatomy is "vitalized by (Burton's) pervading humour", and Burton's digressive and inclusive style, often verging on a stream of consciousness, consistently informs and animates the text. (Summary from Wikipedia)
Though presented as a medical text, The Anatomy of Melancholy is as much a sui generis work of literature as it is a scientific or philosophical text, and Burton addresses far more than his stated subject. In fact, the Anatomy uses melancholy as the lens through which all human emotion and thought may be scrutinized, and virtually the entire contents of a 17th-century library are marshalled into service of this goal.
Burton is forthright about his intentions in writing the Anatomy — "I write of melancholy by being busy to avoid melancholy," he concedes. This acknowledged desire to distract and amuse himself motivated Burton to produce a wide-ranging document, containing digressions and commentary. Whatever its strengths as a medical text or as a historical document, it is the Anatomy's vast breadth — addressing topics such as digestion, goblins, the geography of America, and others — and the particularly characteristic voice of its author that are most commonly cited by its admirers as the main sources of its appeal. Both satirical and serious in tone, the Anatomy is "vitalized by (Burton's) pervading humour", and Burton's digressive and inclusive style, often verging on a stream of consciousness, consistently informs and animates the text. (Summary from Wikipedia)
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Chapters
- Chapter 1
01 - Partition 2, Section 1, Member 1
11:26 - Chapter 2
02 - Partition 2, Section 1, Member 2
08:53 - Chapter 3
03 - Partition 2, Section 1, Member 3
10:45 - Chapter 4
04 - Partition 2, Section 1, Member 4
20:36 - Chapter 5
05 - Partition 2, Section 2, Member 1
23:35 - Chapter 6
06 - Partition 2, Section 2, Member 2
14:27 - Chapter 7
07 - Partition 2, Section 2, Member 3, Part 1
27:18 - Chapter 8
08 - Partition 2, Section 2, Member 3, Part 2
24:17 - Chapter 9
09 - Partition 2, Section 2, Member 3, Part 3
24:43 - Chapter 10
10 - Partition 2, Section 2, Member 3, Part 4
16:04 - Chapter 11
11 - Partition 2, Section 2, Member 3, Part 5
19:54 - Chapter 12
12 - Partition 2, Section 2, Member 4, Part 1
29:08 - Chapter 13
13 - Partition 2, Section 2, Member 4, Part 2
25:55 - Chapter 14
14 - Partition 2, Section 2, Member 4, Part 3
40:29 - Chapter 15
15 - Partition 2, Section 2, Member 5
09:23 - Chapter 16
16 - Partition 2, Section 2, Member 6, Subsection 1
21:45 - Chapter 17
17 - Partition 2, Section 2, Member 6, Subsections 2-3
31:12 - Chapter 18
18 - Partition 2, Section 2, Member 6, Subsection 4
21:14 - Chapter 19
19 - Partition 2, Section 3, Member 1
22:23 - Chapter 20
20 - Partition 2, Section 3, Member 2, Part 1
10:58 - Chapter 21
21 - Partition 2, Section 3, Member 2, Part 2
27:25 - Chapter 22
22 - Partition 2, Section 3, Member 3, Part 1
36:33 - Chapter 23
23 - Partition 2, Section 3, Member 3, Part 2
28:33 - Chapter 24
24 - Partition 2, Section 3, Member 3, Part 3
17:41 - Chapter 25
25 - Partition 2, Section 3, Member 4
09:06 - Chapter 26
26 - Partition 2, Section 3 , Member 5
28:43 - Chapter 27
27 - Partition 2, Section 3 , Member 6
09:41 - Chapter 28
28 - Partition 2, Section 3 , Member 7
46:52 - Chapter 29
29 - Partition 2, Section 3 , Member 8
06:21 - Chapter 30
30 - Partition 2, Section 4 , Member 1, Subsection 1
14:19 - Chapter 31
31 - Partition 2, Section 4 , Member 1, Subsections 2 & 3
17:16 - Chapter 32
32 - Partition 2, Section 4, Member 1, Subsections 4 & 5
23:19 - Chapter 33
33 - Partition 2, Section 4, Member 2
26:01 - Chapter 34
34 - Partition 2, Section 4, Member 3
03:22 - Chapter 35
35 - Partition 2, Section 5, Member 1, Subsections 1 to 4
20:35 - Chapter 36
36 - Partition 2, Section 5, Member 1, Subsection 5
19:57 - Chapter 37
37 - Partition 2, Section 5, Member 1, Subsection 6
09:47 - Chapter 38
38 - Partition 2, Section 5, Member 2
02:56 - Chapter 39
39 - Partition 2, Section 5, Member 3
14:52