English· 10:55:55· 62 chapters
Three hundred anecdotes and biographical sketches of famous composers and performers.
I have attempted to cull from the mass of material that came to my notice such anecdotes as have two features,—that of being characteristic of the person referred to, and that of possessing sufficient interest; and in this re-narration I have incorporated such bits of musical information, along biographical and historical lines, as came to mind at the time of writing, but letting this feature be secondary to the main idea of the work. Thus it is hoped that while my readers may find interesting anecdote, they may also incidentally find that which is of more permanent value.
No classification has been made in the body of the work, thus avoiding monotony in a consecutive reading. The indexes furnish ample references.
If these narrations awaken a more general interest in musical biography, one purpose of my labor will have been accomplished. - Summary by W. Francis Gates (from the Introduction)
I have attempted to cull from the mass of material that came to my notice such anecdotes as have two features,—that of being characteristic of the person referred to, and that of possessing sufficient interest; and in this re-narration I have incorporated such bits of musical information, along biographical and historical lines, as came to mind at the time of writing, but letting this feature be secondary to the main idea of the work. Thus it is hoped that while my readers may find interesting anecdote, they may also incidentally find that which is of more permanent value.
No classification has been made in the body of the work, thus avoiding monotony in a consecutive reading. The indexes furnish ample references.
If these narrations awaken a more general interest in musical biography, one purpose of my labor will have been accomplished. - Summary by W. Francis Gates (from the Introduction)
LibriVox recordings are public domain in the United States; copyright status may differ elsewhere.
Chapters
- Chapter 1
Introductory
03:21 - Chapter 2
The Gregorian Chant; The Bach Revival; Why We Should Sing; Glimpses of Cherubini; Discovering a Nightingale
14:27 - Chapter 3
Balfe's Strange Room Mate; Berlioz and Paganini; History Repeats Itself; The Greatest Musical Prodigy; A Test of Precocity
09:18 - Chapter 4
Irish Enthusiasm; Playing like "Zwei Gotts"; A Sudden Cure; Ole Bull at "Rouge-et-Noir"; Outspoken Admiration
09:33 - Chapter 5
Whims of Composers; Ole Bull as a Duelist; He Didn't Purchase; A Critical Composition; Keep in with the Accompanist
08:18 - Chapter 6
The Youthful Beethoven's Trick on a Singer; An Untalented Royal Pupil; Händel's Persuasiveness; Good English in Song; An Uncringing Reply
10:55 - Chapter 7
Southern Passion; Rather a Hard Opponent to Conquer; Catalani and Goethe; The Music but Not the Face; A Concert Preacher
09:54 - Chapter 8
Traveling in State; Tuning Up; Voice Against Trumpet; Beethoven's Kiss; Mendelssohn's Dislike of Meyerbeer
08:40 - Chapter 9
An Army, a Cow and a Prima Donna; A Musical Priest; Musical Criticism; High Art; A Boy's Memory
07:40 - Chapter 10
Slippers at a Premium; Artistic Aversion to Empty Honors; Music and Madness; Baton Waving. Lully Losing a Limb; Prima Donnas Come High
09:22 - Chapter 11
An Unorthodox Creed; The Devil's Trill; Unlucky Manuscripts; Forewarned is Forearmed; A Queen's Regard for her Music Teacher
11:06 - Chapter 12
An Earnest Student; A Witty Songstress; Moscheles' Blunder; Jealousy in the Family; Prejudice
07:33 - Chapter 13
Musical Gratitude; The Greater the Composer the Greater the Student; An Ignorant Tenor; Three Classes of Players; How to Secure a Successful Début
11:14 - Chapter 14
A Song for Forty; The Temple Organ; A Fiddler's Trick; Personal Appearance; Mozart's Acknowledgment
11:50 - Chapter 15
Operatic Sore Throat; Leoncavallo's Whimsical Opinion of his "Clowns"; How to Make a Singer Sing; Another Way; Rossini Hearing the Impossible
10:55 - Chapter 16
Manuscript for Kettles; A Patti Reception that She Didn't Receive; The Encore Fiend; Händel's Escape; A Hatful of Pearls
07:30 - Chapter 17
Mendelssohn Composing for Fun; The Right Kind of a Patron; An Episode in the Life of an Artist; Earning a Violin Easily; Schubert's Serenade
08:20 - Chapter 18
Malibran's Generosity; How Berlioz Fooled the Critics; Music Hath Charms; Wagner's Melodies and Chords; Disposing of an Audience
11:59 - Chapter 19
Playing on a Shoe; Händel's Successful Scheme; A Basso's Wit; Old Words to New Tunes; The Composer's Debt to Nature
09:10 - Chapter 20
Sontag's Revenge; A Second Napoleon; A Singer's Sense; Haydn's Noble English Pupil; Lablache and Tom Thumb
07:58 - Chapter 21
A Composer's Chagrin; The Friends, Mozart and Haydn; A Frightened Desdemona; Retentive Memories; Patti's Vanity
10:43 - Chapter 22
Clementi's Economy; Music at So Much per Note; Liszt's Precocity; Keeping at It; A Peculiar Genius
10:17 - Chapter 23
Shaking all Over; The "Ox" Minuet; Nilsson and the Shah of Persia; Modulations; An Eventful Career
11:32 - Chapter 24
Napoleon Outwitted by a Songstress; Stubborn Composers; Clerical Wit; A Patient Pupil; Field Fooled
11:13 - Chapter 25
Saving a Fiddle; Absent Minded; The Prima Donna of the Eighteenth Century; The "Harmonious Blacksmith"; The Ups and Downs of a Singer's Life
13:32 - Chapter 26
Some Liberal Musicians; How Paganini Secured his Favorite Fiddle; Liszt on Mendelssohn; Mara's Revenge; Chopin's Technic
11:34 - Chapter 27
Spohr as a Horn Player; Securing Music under Difficulties; In Bülow's Class-Room; Viotti's Tin Fiddle; Liszt's Playing and his Generosity
11:33 - Chapter 28
From Humble Origin to Wealth and Fame; Gallant Haydn; Rossini and the Italian School; Lives of Labor; A Great Quartet
13:30 - Chapter 29
Rec'd in Full of A/c; Wagner's Working Costume; Cherubini as a Revolutionary Fiddler; Conscientious Acting and Singing; The Peculiarities of Genius
12:01 - Chapter 30
Händel's Youth; A Violin for Eighteen Pence; Mendelssohn at Work; A Double Dose of Brahms; Unfailing Sight Reading an Impossibility
09:31 - Chapter 31
A Sharp Rejoinder; Two Kinds of Bills; Von Bülow as a Political Speaker; Lind's First Engagement; Beethoven's First Triumph
10:16 - Chapter 32
Händel's Duel; Paganini's Generous Deed; A Gentle Critic; Art Before Business; The "Dear Saxon"
08:00 - Chapter 33
Bülow's Bits; An Interrupted Concert; Coöperative Composition; An Absent-minded Conductor; Costly Admiration
08:44 - Chapter 34
Wine and Music; Schubert's "Erl-King"; Royal Honors to a Singer; The Deaf Beethoven; The History of a Violin
09:42 - Chapter 35
"Vorts" vs. Music; French Wit; Too Literal; Imagination a Factor in Hearing Music; Musical and Non-Musical Accent
10:59 - Chapter 36
Von Weber to a Bawling Choir; An Interrupted Opera; Beethoven Punished; Violin Collectors; Pot-boilers
08:17 - Chapter 37
Gounod's Faust; Madame Patti; An Even Distribution of Honors; Rapid Composition; Friends
11:40 - Chapter 38
Haydn's Reception by Prince Esterhazy; Proving Identity; A Great Thief; Von Bülow's Memory; Their Favorite Surroundings for Composition
13:53 - Chapter 39
A Kind Act; Public Criticism; Fun on the Stage; The Thirty-three Variations; A Deserved Chastisement
07:49 - Chapter 40
Il Trovatore; Music vs. Commerce; A Narrow Escape; A Pyrotechnic Violoncello; Misdirected and Repressed Talent
08:53 - Chapter 41
The Discovery of a Tenor; A Long Encore Number; "Englyshe Meetre"; "The Devil on Two Sticks"; Impositions on Musicians
13:43 - Chapter 42
The Hallelujah Chorus; Beethoven a la Cupid; Wagner and the Beggars; Vox Populi; What's in a Name
12:12 - Chapter 43
A Costly Fiddle; Bach's Great Works. How Enjoyed by Some; Peculiar English; Original Tapestry; The Manual Labor of Composition
07:50 - Chapter 44
A Burial Place Denied; Von Bülow's Peculiarities; Not at First Sight; Restoring an Organ; An Exciting Musical Duel
11:02 - Chapter 45
An Interrupted Strain; A Musical Tragedy; Beethoven's Gratitude; Choleric Händel; Music vs. Conversation
10:33 - Chapter 46
The World's Reward to Genius; An Obese Basso; Preserving Identity; A Great German Songstress; A Sight for the Boys
12:09 - Chapter 47
Paganini in Court Dress; A Gory Drumstick; Great Musical Memories; A Comical Revenge; Scherzo
12:27 - Chapter 48
But One Seat Left; A Compliment from Haydn; A Particular Prima Donna; Mendelssohn's Kindness; Campanini as a Soldier
07:22 - Chapter 49
To Make a Player Play; True Kindliness; Viotti's Independence; Not the Geese that Saved Rome; That Patti Kiss
15:28 - Chapter 50
Longevity of Musicians; Liszt as an Advertiser; Arrested for Treason; Rothschild's Music; The “Prison Josephs"
15:42 - Chapter 51
Schumann's Failure; Genius Discovered by Punishment; Richard Wagner and the Number "13"; A Little Trick of Paganini's; Liszt's Completion of the Beethoven Monument
10:38 - Chapter 52
Delayed Appreciation; Overfed Composers; Nasal; A Bold Pupil; Wagner's Activity
09:14 - Chapter 53
An Opera Sacrificed; An Erratic Prima Donna; When They Began; Sarcasm; A Prima Donna's Pets
10:34 - Chapter 54
Paganini's Method of Study; Goat Hair for Hero Worshipers; Stage Censorship; Fallible; A Dressing-room War
10:48 - Chapter 55
Aristocratic Patronage—Haydn's Farewell; The Hebrew in Music; The Story of Mozart's Requiem; Liszt's Reply to Louis Philippe; Jenny Lind's Generosity
13:16 - Chapter 56
Beethoven, Brain-owner; Schubert's Modesty; Our Musical Advancement; Honest Opinions; The Modern Tendency
09:13 - Chapter 57
Fugues and Chess; Fortunes in Fiddles; One Kind of Criticism; Musical Cooks; Artistic Pride
10:09 - Chapter 58
Beethoven's Friends; Prolific Composers; Music for the Eye; Schumann's Madness; Humor in Composition
14:51 - Chapter 59
Haydn's Last Appearance; The Heroic in Music; A Peculiar Visiting Card; Origin of the Name "Kreutzer Sonata"; Royal Musicians
15:34 - Chapter 60
A Charitable Trio; Beethoven's Forgetfulness; Rossini's Arrogance; To a Pauper's Grave
07:36 - Chapter 61
Notable Musical Antagonisms: Händel—Buononcini; Gluck—Piccinni; Cuzzoni—Bordoni; Sontag—Malibran; Liszt—Thalberg
13:33 - Chapter 62
The Financial Circumstances of the Great Composers
09:19