E. M. Forster’s A Passage to India (1924) is widely acclaimed as one of the hundred best literary works of 20th century. Time magazine rates it among the top 100 English-language novels of all time.
A Passage to India is set at the moment when the lasting supremacy of the British Raj could no longer be taken for granted. Imperial power had been effectively supported by old and deep-seated religious and cultural conflicts between India’s Hindu and Muslim populations, which divided and sapped the local powers ultimately needed to overthrew imperial rule in 1947. Forster illustrates how this rift begins to be overshadowed by the increasing resistance of all Indians to the extreme racism, oppression and socio-political mismanagement of British rule.
The work is perhaps best known for his brilliant development of the relationships between his characters, which are fraught by a wide range of precarious cultural, social, political and economic dualisms: e.g., Occident / Orient; imperialist / colonial; men / women. He carries the idea expressed in his famous words “only connect” (from Howards End) to its limits, examining the difficulties – often the inherent impossibility – of “connection” across racial, sexual, religious and social divides. - Summary by Kirsten Wever
A Passage to India is set at the moment when the lasting supremacy of the British Raj could no longer be taken for granted. Imperial power had been effectively supported by old and deep-seated religious and cultural conflicts between India’s Hindu and Muslim populations, which divided and sapped the local powers ultimately needed to overthrew imperial rule in 1947. Forster illustrates how this rift begins to be overshadowed by the increasing resistance of all Indians to the extreme racism, oppression and socio-political mismanagement of British rule.
The work is perhaps best known for his brilliant development of the relationships between his characters, which are fraught by a wide range of precarious cultural, social, political and economic dualisms: e.g., Occident / Orient; imperialist / colonial; men / women. He carries the idea expressed in his famous words “only connect” (from Howards End) to its limits, examining the difficulties – often the inherent impossibility – of “connection” across racial, sexual, religious and social divides. - Summary by Kirsten Wever
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Chapters
- Chapter 1
Chapter 1
07:00 - Chapter 2
Chapter 2
35:03 - Chapter 3
Chapter 3
27:17 - Chapter 4
Chapter 4
07:55 - Chapter 5
Chapter 5
35:36 - Chapter 6
Chapter 6
22:12 - Chapter 7
Chapter 7
50:22 - Chapter 8
Chapter 8
50:29 - Chapter 9
Chapter 9
34:51 - Chapter 10
Chapter 10
04:19 - Chapter 11
Chapter 11
19:59 - Chapter 12
Chapter 12
09:36 - Chapter 13
Chapter 13
17:05 - Chapter 14
Chapter 14
53:37 - Chapter 15
Chapter 15
08:59 - Chapter 16
Chapter 16
23:26 - Chapter 17
Chapter 17
10:13 - Chapter 18
Chapter 18
15:07 - Chapter 19
Chapter 19
21:01 - Chapter 20
Chapter 20
33:40 - Chapter 21
Chapter 21
03:16 - Chapter 22
Chapter 22
33:39 - Chapter 23
Chapter 23
09:36 - Chapter 24
Chapter 24
51:43 - Chapter 25
Chapter 25
17:50 - Chapter 26
Chapter 26
28:44 - Chapter 27
Chapter 27
14:22 - Chapter 28
Chapter 28
07:00 - Chapter 29
Chapter 29
21:39 - Chapter 30
Chapter 30
13:24 - Chapter 31
Chapter 31
25:45 - Chapter 32
Chapter 32
03:24 - Chapter 33
Chapter 33
21:47 - Chapter 34
Chapter 34
12:18 - Chapter 35
Chapter 35
19:36 - Chapter 36
Chapter 36
33:54 - Chapter 37
Chapter 37
17:21